Maybe I’m just picky, but I’m very particular about what kind of paper I draw/paint/write on, and lately your run of the mill store-bought sketchbook just hasn’t been doing it for me. For the past few years whenever I’ve found myself at the end of a sketchbook I’ve gotten into the practice of buying a new one, ripping out the book block, and re-filling it with my own hand-stitched book block made of a nice, slightly heavier paper.
Is this a lot of work? Yes. But is it worth it? Definitely! I wind up with a lovely sketchbook that I know I will willingly open often, because it’s a pleasure to work with. The paper I use is Strathmore Windpower Drawing paper (sold in large orange spiral-bound pads), and it accepts a vast array of media nicely, from graphite to charcoal to watercolor to acrylics. An important side-effect to crafting my own sketchbook is that the hand-stitched book block lays open and flat, allowing me to work across the pages with ease. And as an extra bonus, I can add my own little flourishes to the construction of it, like a pretty satin bookmark and decorative endpapers.
Recently I also found Louise Stanley’s rules for keeping a sketchbook:
Uni: Never, ever tear out a page unless you sell it, in which case you can replace it with a copy.
Due: Start on the third page to get your courage up.
Tre: Go back to the first page and do a self portrait when you’ve got the nerve.
Quattro: Strap your journal to your body. Don’t leave home without it.
Cinque: A little gold leaf and color peps up a page.
Sei: Always carry a pencil. Many museums won’t let you use ink.
Stanley is a sketchbook artist, and although most of her rules are ones that I have always followed, she is the first one I have seen put them in writing. Rule number three is the only one that I haven’t ever done with regularity, but this time I’m starting my journal out right (and it’s easy to get up the nerve to tackle the first page of a sketchbook when you’ve just ripped apart and re-sewn the whole thing):
Happy sketching!




Leave a Reply